The Nature Lab at Rhode Island School of Design is presenting an exhibition on the interface of biology and art; Biodesign: From Inspiration to Integration. Curated in collaboration with William Myers, the show is part of their 80th anniversary celebrations. The exhibition runs from Aug 25—Sept 27 at the Woods Gerry Gallery, and will feature photos and sampling equipment from the Biology and the Built Environment Center.
Biodesign: From Inspiration to Integration
An exhibition curated by William Myers and the RISD Nature Lab, this show features the following works:
Hy-Fi and Bio-processing Software—David Benjamin / The Living
Mycelium architecture, made in collaboration with Ecovative and 3M.
Zoa—Natalia Krasnodebska / Modern Meadow
Leather grown using yeasts that secrete collagen, and grown completely without animal derivatives.
The Built Environment Microbiome—BioBE Center / Jessica Green, Sue Ishaq and Kevin Van Den Wymelenberg
The BioBE conducts research into the built environment microbiome, mapping the indoor microbiome, with an eye towards pro-biotic architecture.
Zea Mays / Cultivar Series—Uli Westphal
Newly commissioned corn study, this project highlights maize’s evolution through interaction with humans.
Harvest / Interwoven—Diana Scherer
Artist coaxes root systems plant root systems into patterns.
Fifty Sisters & Morphogenesis—Jon McCormack
Artist algorithmically generates images that mimic evolutionary growth, but tweaks them to include aesthetics of the logos of global petroleum producing corporations.
Organ on a Chip—Wyss Institute
Wyss Institute creates microchips that recapitulate the functions of living human organs, offering a potential alternative to animal testing.
AgroDerivatives: Permutations on Generative Citizenship—Mae-Ling Lokko
This project proposes labor, production criteria and circulation of capital within agrowaste/bioadhesive upcycling ecosystems.
New Experiments in Mycelium—Ecovative
Ecovative makes prototypes of mycelium items such as insulation, soundproofing tiles, surfboards, lampshades.
Bistro in Vitro—Next Nature Network
Performance with speculative future foods samples. The installation will include video screens and a cookbook on a table display.
Raw Earth Construction—Miguel Ferreira Mendes
This project highlights an ancient technique that uses soil, focusing on how soil is living.
Burial Globes: Rat Models—Kathy High
This project presents glass globes that hold the ashes of the five HLA-B27 transgenic rats, each one named and remembered: Echo, Flowers, Tara, Matilda, Star.
To Flavour Our Tears—Center for Genomic Gastronomy
Set up as an experimental restaurant, this project places humans back into the foodchain — investigating the human body as a food source for other species.
Blood Related—Basse Stittgen
A series of compressed blood objects—inspired by Hemacite objects made from blood/sawdust compressed in a process invented in the late 19th century—highlights bloodwaste in the slaughterhouse industry.
Silk Poems—Jen Bervin
A poem made from a six-character chain represents the DNA structure of silk, it refers to the silkworm’s con-structure of a cocoon, and addresses the ability of silk to be used as a bio sensor, implanted under people’s skin.
Zoe: A Living Sea Sculpture—Colleen Flanigan
Zoe is an underwater structure, part of coral restoration research, that regenerates corals in areas highly impacted by hurricanes, human activity and pollution.
Aquatic Life Forms—Mikhail Mansion
Computationally generated lifeforms animated using motion-based data captured from Arelia aurita.
Algae Powered Digital Clock—Fabienne Felder
By turning electrons produced during photosynthesis and bacterial digestion into electricity, algae will be used to power a small digital clock.
A Place for Plastics—Megan Valanidas
This designer presents a new process of making bioplastics that are bio-based, biodegradable AND compostable
Data Veins & Flesh Voxels—Ani Liu
This project explores how technology influences our notion of being human from different points of view, with a focus on exploring the relationship between our bodies as matter and as data.
Pink Chicken Project—Studio (Non)human (Non)sense/ Leo Fidjeland & Linnea Våglund
By changing the color of chickens to pink, this project rejects the current violence inflicted upon the non-human world and poses questions of the impact and power of synthetic biology.
5:30 pm – 7:30 pm
Woods Gerry Gallery, 62 Prospect Street, Providence, RI 02903